Winter knitting

Happy New Year! I hope you (as we say in Germany) slid into the New Year smoothly. I did, but I’m still catching up on sleep after a lot of entertaining. I’ve been trying my hand at Tunisian Crochet, which is a variant of crochet, but produces a textile somewhere between crochet and knit. I find the texture fascinating. I’ll soon get back to regular knitting though, as midwinter starts to creep up on us.

So much to consider: Last year, I had a little series called “Knit Autumn’s Trends”

Part 1 Reds were all over the runway. Tom and Lorenzo are calling it ‘Wild Red.’ Everything from wine to magenta and fuschia seem to slot in here.

Part 2 was all about strong shoulders. Now we’re seeing statement sleeves. A flutter, a dramatic cuff.

Part 3 was about Oktoberfest, which is huge in German-speaking Europe, and a great excuse to party around the world.

Part 4 featured boots and socks.

Part 5 brought us the three Rs: Ribs, Ruffles and Ruanas. Well, draped capes and cloaks are still with us.

What are you knotting these days?

Advertisements

Trade show overload

Nadelwelt

My knitting friend and I thought we would pop in to Nadelwelt in Karlsruhe, have a quick look and get home in time for lunch. I don’t know why we thought that would be possible. We’re still young. That’s the only excuse I’m prepared to give.

If you’re ever in the area (next year the show falls on May 3-5, 2019) and find you have a full day to spare, definitely check out Nadelwelt. The trade show is held in the same place that the ARTkarlsruhe is held, and it’s just massive. My eyes have been opened to how the needlecrafts have taken off in Germany (despite you not seeing a lot of people knitting, crocheting or otherwise crafting in public here).

There was a distinct focus on quilting, with a quilted art exhibition right out front. We had a lovely chat with two British textile artists Cas Holmes and Gillian Travis, who apparently travel around to exhibit and sell at textile shows and fairs all around Europe.

Cas Holmes treats paper, thread and fabric like paints, and her work has the ethereal quality of memories half forgotten, floating out of the subconscious.

Gillian Travis, on the other hand, makes vibrant, graphic quilts which reflect her travels and other sources of inspiration, and just whisks the viewer away as if on a magic carpet. She has an amazing eye for colour, and a wicked sense of humour. I had a great time talking to her.

Although we were overwhelmed by the sheer size of the show (from fabrics, buttons, yarns, sewing machines of all types, etc), we did make a lovely find: our nearest LYS shut down late last year, and now we’ve found a new one. The owner happened to be on hand and she and one of her staff gave us a mini-workshop on Tunisian Crochet.

So while I am not quite in the mood to knit at the moment, I’ve been practising my tunisian crochet and staring at my boot socks, hoping that they’ll have the decency to finish themselves up without me. Thankfully I did them two at a time (each on two DPNs) so each only has about an inch of ribbing left.