If you can spare the time, Michel Pastoureau’s Black: The History of a Color will take us from the beginning of recorded history through the Middle Ages, the Renaissance and on into modern times. He argues quite credibly, that up until Sir Isaac Newton’s experiments in optics in the 17th Century, proved that colours were made by “breaking up” white light, and that black wasn’t even on the spectrum, people DID think of black as a colour.
It’s a fascinating and accessible read, with lots of lovely images from various types of Art through the ages – I never thought it would be so interesting to find out about how artists and artisans mixed black, or worked to dye cloth a deep black, and how the meanings that Europeans attached to black would swing back and forth.
Funnily enough Pastoureau’s book took me back to a Coursera course I just completed: Magic in the Middle Ages. Not just the connection between Black, the devil and witches, but also how Islamic magic contributed to European/Western rediscovery of Greek science writing, which inspired Newton and as a result modern science.
Blogger Manrepeller talks about black as a fashion uniform,
These days there are also wedding veils, wedding shawls, capes, capelets, boleros and shrugs, wristlets and the list goes on. (To illustrate, I’ve chosen clockwise from top left: Nicole Markley’s I Thee Wed fingerless gloves, Carol Feller’s Summer Affair, Louise Fitzpatrick’s Summer Rose capelet and Alison Reilly’s Wedding Canopy Chuppah) Often done in fingering or laceweight yarns, these pieces can and do become hierlooms for the families lucky enough to have such a dedicated crafter in their midst.
Technically, anyone can knit a wedding item: ‘all’ that is required is time, patience, ability to follow a pattern and willingness to frog to correct any errors. Would you knit for your or a loved one’s wedding? Or have you?
I hope you enjoy the royal wedding. I know I will. I’m inviting friends over for a viewing with champagne and finger sandwiches! And maybe some knitting…
I’ve been away for a minute, because spring. In Germany, spring doesn’t just mean Easter and half-term Holidays, it means nature is waking up, and of Course working in the garden. Now I know, the British are known for simply fabulous gardens, but so are many Germans. They love a beautiful garden (of whatever size – from balcony to tea-towel size and bigger), to provide a lovely island of tranquility.
Spring is also the start of the beekeeper year, and I’ve been away for a while, getting my hives sorted. I’m doing a beekeepers course, so I thought I’d drop some bee-themed knits:
While I’ve been away, I’ve been watching fashion historian Amanda Hallay’s The Ultimate Fashion History on Youtube when I’ve been too tired to knit. She goes all the way from Prehistoric fashion to the present day, looking at History, Art, and politics and how fashion responded to the life of the times (Her favourite Quote is “Fashion is not an Island, it’s a Response”).
I thought for sure, that stripes were over. I was pretty sure that stripes would settle back down in that corner where classics go to have a cocktail and catch their breaths, while Polka dots would have their Moment in the limelight. But there’s a saying in German:
“Totgesagte leben länger”
which basically means that there’s life in the old dog yet. And that means that I’m seeing those spots, alongside and stripes. But stripes of a different ilk.
Christian Dior Spring 2018
Christian Dior Spring 2018
Christian Dior Striped Dress Fall 2017
Which makes me think of
Albers Pullover by Julia Farwell-Clay
Liz Cardi by Jesse Mozlan
Mitred Magic by Amy Polcyn
Arbus by Bristol Ivy
The Albers Pullover by Julia Farwell-Clay; Mitred Magic by Amy Polcyn; Liz Cardigan by Jesse Mozlan (a sweet pattern that’s currently free on Ravelry); and Bristol Ivy’s Arbus from her new book ‘Knitting Outside the Box.’