The current issue of TIME magazine, edited by Ava DuVernay, got me thinking about optimism and crafts.
She writes that art, „calls to the optimism within us and beckons us to breathe… a necessary reminder to grasp joy with both arms and embrace it like a great love.“ I think of making and craft that way. There is an eternal optimism in casting on, starting a project, or even just pickingup a work in progress to work a few rows. It‘s a neat feeling of control of the microcosm of a glove, sock, hat or pullover that is deeply fulfilling.
Protest fashion has always been a thing. It identifies who stands with the demonstrators, and who doesn’t. From the cap-wearers of the French Revolution, suffragettes in white to the pink knitted caps of the Women’s Marchers.
Although now largely discarded by March organizers as too exclusive of transpeople, the pink knit hat was a visually powerful symbol of activism against sexism. Why did they work? Because they were so bright, and easy to churn out 3 or 4 or more over a weekend for knitters and crocheters alike.
Unlike fancy black dresses on the red carpet worn mainly by celebrities or even designer T-shirts with catchy slogans, pink hats, yellow vests and red scarves work because when they’re worn to actual demonstrations on the street, their sheer numbers come together to show the undeniable amount of ordinary everyday people who stand behind the concepts.
The discussion from January 15 is a very interesting read. It was closed after 34 pages, but I think it’s worth a browse. There are moving stories of makers’ experiences, along with comments, questions and suggestions for making Ravelry and the fibre world more inclusive.
More great links from the thread:
Jeanette Sloan has a list of Black, Indigenous and People of Color (BIPOC) designers and crafters. What a great start!
Happy New Year! I hope you (as we say in Germany) slid into the New Year smoothly. I did, but I’m still catching up on sleep after a lot of entertaining. I’ve been trying my hand at Tunisian Crochet, which is a variant of crochet, but produces a textile somewhere between crochet and knit. I find the texture fascinating. I’ll soon get back to regular knitting though, as midwinter starts to creep up on us.
So much to consider: Last year, I had a little series called “Knit Autumn’s Trends”
Part 1 Reds were all over the runway. Tom and Lorenzo are calling it ‘Wild Red.’ Everything from wine to magenta and fuschia seem to slot in here.
Part 2 was all about strong shoulders. Now we’re seeing statement sleeves. A flutter, a dramatic cuff.
Part 3 was about Oktoberfest, which is huge in German-speaking Europe, and a great excuse to party around the world.
Now that summer is done, and the kids are back in school, I wanted to jump back on and talk about this pullover and why something like this: classic forms and eye-searing, on-trend red could very well be my next big project….
But then a note popped into my inbox about Berrocco‘s cable KAL, and I had to take a look. So although Berrocco yarns aren’t available in Germany, it’s got my imagination off and running! What better way to kick off the knitting season, than with what I shoulda-woulda-coulda knit from Berroco’s extensive collection of cable garments.
Cardamom cardigan by Berroco Design team
Auberon by Norah Gaughan
Champlain by Amy Christoffers
Cardamom by the Berroco team has a lovely edge treatment that is rather eye-catching. I love the Art Deco feel of Norah Gaughan’s Auberon sweater, and the subtlety of Amy Christoffers’ cables in Champlain.
Aidez by Cirilia Rose
Zazanna by Norah Gaughan
Blish by Norah Gaughan
However, Cirilia Rose’s Aidez and Norah Gaughan’s Zazanna and Blish have been on my favorites list for just about forever.
And then there are some newer Berroco designs that are also quite lovely like Allison Jane’s Isthmus.
I’m a teeny tiny bit glad that I don’t have to make a choice about which to knit. I’m still not so sure about what I’ll be knitting this winter. As the weather cools down, I think I‘ll just ease back into knitting and see where it goes from there…
When it’s as warm as it has been last week in Germany, it’s great museum weather. Well, so I thought. A few days ago, I took part in a Museum night (buy a ticket and have entry to museums, events, tours between 6pm and midnight). To celebrate 20 years of Museum nights, many museums dug deep into their archives to come up with something related to 20. The Natural History Museum for instance had an exhibit about hippos in the Rhine back when the Rhine was 20 degrees Celsius (68F). Very fitting considering the temperatures today.
We went to the City Gallery, the Baden State Museum and the museum of Applied Art in Karlsruhe. While textile museums can be few and far between, Applied Art museums (Angewandte Kunst) will often have a few textile pieces, and are generally great at putting art and design into context.
We caught a tour called ‘The 20 years that influenced Art History- 1890-1910’ and saw this lovely tapestry by Edward Burne-Jones.
This year, it seems I’ve done quite a bit of knitting and thinking about knitting, colour, yarn, and fashion… Oh, I’ve just finished up my twisted stirrup socks in time for autumn. Now, I just have to decide which of my WiPs to finish up next…