Now that summer is done, and the kids are back in school, I wanted to jump back on and talk about this pullover and why something like this: classic forms and eye-searing, on-trend red could very well be my next big project….
But then a note popped into my inbox about Berrocco‘s cable KAL, and I had to take a look. So although Berrocco yarns aren’t available in Germany, it’s got my imagination off and running! What better way to kick off the knitting season, than with what I shoulda-woulda-coulda knit from Berroco’s extensive collection of cable garments.
Cardamom cardigan by Berroco Design team
Auberon by Norah Gaughan
Champlain by Amy Christoffers
Cardamom by the Berroco team has a lovely edge treatment that is rather eye-catching. I love the Art Deco feel of Norah Gaughan’s Auberon sweater, and the subtlety of Amy Christoffers’ cables in Champlain.
Aidez by Cirilia Rose
Zazanna by Norah Gaughan
Blish by Norah Gaughan
However, Cirilia Rose’s Aidez and Norah Gaughan’s Zazanna and Blish have been on my favorites list for just about forever.
And then there are some newer Berroco designs that are also quite lovely like Allison Jane’s Isthmus.
I’m a teeny tiny bit glad that I don’t have to make a choice about which to knit. I’m still not so sure about what I’ll be knitting this winter. As the weather cools down, I think I‘ll just ease back into knitting and see where it goes from there…
You may be out and about in Germany, and find it too warm to be outdoors too long,
If so, check out a few museums while you’re at it. If you’re in Frankfurt, check out the Museum of Applied Art’s exhibition (above) on Jil Sander.
If you’re in Dusseldorf, pop in to have a look see at the Anni Albers (master weaver who started out in the Bauhaus) retrospective at the K20 museum. Runs til September 9, 2018.
If you’re in Hamburg, a leisurely stroll through the Museum of Art and Design’s (MK&G) current exhibition: Mobile Worlds,
…exhibition concept … questions the Eurocentric order of Western museums: Rather than classify objects according to epochs, geographies, art and non-art, the exhibition focuses on the global movement of objects, people and ideas past and present and the associated intertwining of cultural forms and worlds of life. This perspective reflects the social, cultural and political complexity of post-migrant society.
And if you’re in the South West, consider visiting the Jewelry Museum in The Goldcity, Pforzheim. Not only does their collection take one through five thousand years of jewelry, but they currently are showing “Jeweled Splendors of the Art Deco Era. The Prince and Princess Sadruddin Aga Khan Collection.” Who can say no to looking at Art deco? Runs til January 2019.
Keep cool and stay hydrated!
If you see this symbol on shop or café windows, it means you can fill up your water bottle for free.
When it’s as warm as it has been last week in Germany, it’s great museum weather. Well, so I thought. A few days ago, I took part in a Museum night (buy a ticket and have entry to museums, events, tours between 6pm and midnight). To celebrate 20 years of Museum nights, many museums dug deep into their archives to come up with something related to 20. The Natural History Museum for instance had an exhibit about hippos in the Rhine back when the Rhine was 20 degrees Celsius (68F). Very fitting considering the temperatures today.
We went to the City Gallery, the Baden State Museum and the museum of Applied Art in Karlsruhe. While textile museums can be few and far between, Applied Art museums (Angewandte Kunst) will often have a few textile pieces, and are generally great at putting art and design into context.
We caught a tour called ‘The 20 years that influenced Art History- 1890-1910’ and saw this lovely tapestry by Edward Burne-Jones.
I ran into this Vogue cover today, and of course had to take it home. Not just because it is simply stunning, but also because it is actually quite rare for a black model to get the cover of Vogue Germany. While Vogue in the US and the UK are considered quite groundbreaking in pursuing diversity in Fashion, Vogue Germany hasn’t so much.
After a bit of digging, I found out how rare this is, and yet, there’s still a ways to go.
Iman for Vogue Germany June 1982
Naomi Cambell for Vogue Germany October 1994
Lois Samuels and others for Vogue Germany September 1997
A Brief History of Diversity of Vogue Germany Covers
Vogue Germany existed briefly toward the end of the Weimar Republic (1929-1930). It came back to Germany in 1979, following the brand’s acquisition by Conde Nast and the following worldwide expansion. The German language edition serves German-speaking Europe: Germany, Austria and Switzerland.
Iman (above, left) was the first black model to grace the cover in June 1982. Of the fifteen times a black model has been on the cover (alone, in a collage or a group of models), Naomi Campbell (middle) is the clear winner, with 5 covers to her name. Special mention to Jamaican model Lois Samuels (right), because although she appeared with a group of models, she actually indirectly influenced the Cover title!
Every few years or so, Vogue Germany will have a black model on their cover. After Iman, came Jennifer Beals, Beverly Peele, Naomi Campbell, Lois Samuels, Kiara Kabukuru, Alek Wek (though sadly inside the fold), Arlenis Sosa, Lais Ribeiro, Liya Kebede, Yasmin Wijnaldum and now Nigerian Mayowa Nicholas. The first asian cover model was Ling Tan (November 1998). Not a lot, still nothing to sneeze at.
I’m hoping future covers of Vogue Germany will show how diverse German society has become in the last few years…
This is an old interview (from 2013) of Women’s Wear Daily’s Berlin Correspondant Melissa Drier on Deutsche Welle. Although what she is wearing in the screen-shot is made in Germany, Drier is a New Yorker. She talks about moving to Berlin in the 1980s, experiencing the Fall of the Wall, The East-West rivalry, and the fashion scene in the German capital and the promising environment giving rise to up and coming designers.
She also talks about Berlin Fashion Week, and the Bread and Butter trade show. Not much has changed since then (the most notable thing is that Mercedes is no longer the major sponsor), and there is a growing niche in sustainable fashion, as an offshoot of the Green Week trade show.
Germany still hasn’t become a fashion capital in the five years since this interview, but it’s still an interesting place to be fashion-wise…
These days there are also wedding veils, wedding shawls, capes, capelets, boleros and shrugs, wristlets and the list goes on. (To illustrate, I’ve chosen clockwise from top left: Nicole Markley’s I Thee Wed fingerless gloves, Carol Feller’s Summer Affair, Louise Fitzpatrick’s Summer Rose capelet and Alison Reilly’s Wedding Canopy Chuppah) Often done in fingering or laceweight yarns, these pieces can and do become hierlooms for the families lucky enough to have such a dedicated crafter in their midst.
Technically, anyone can knit a wedding item: ‘all’ that is required is time, patience, ability to follow a pattern and willingness to frog to correct any errors. Would you knit for your or a loved one’s wedding? Or have you?
I hope you enjoy the royal wedding. I know I will. I’m inviting friends over for a viewing with champagne and finger sandwiches! And maybe some knitting…
I look at the Met Gala fashions first and foremost because it’s fun. Tom and Lorenzo always has a great look-through at the Met Exhibition: “Heavenly Bodies: Fashion and the Catholic Imagination” and the Gala guests. And because as Amanda Heath (née Hallay) of Ultimate Fashion History says, “Fashion is not an Island, it’s a Response.” So I was really curious to see what Fashion was responding to Society.
Kim Kardashian in Atelier Versace
Zendaya Coleman in Atelier Versace
(photo source: Tomandlorenzo.com)
Now while the catholic church has given way to an amazing outpouring of creative Imagination in the arts, it cannot be ignored that the church was a suppressive force in the sciences at one Point: Galileo Galilei, anyone? I thought for sure that the Italian astronomer would get a sartorial clapback on the red carpet. A sequined ‘Eppur si muove‘ to send sharp-eyed watchers to search out the meaning (Galileo challenged the geocentric world view of the time, and proved that the sun is the actual centre of the solar System). Almost 360 years later, he was vindicated in 1992.
So honourable mention to Kim Kardashian on left, for coming as the sun (although she may not have been aware of the Galileo Affair)!
I thought the connections or controversies between Religion and science (in particular astronomy) would have been right there, because there are so many hot topics in Society these days. Further honourable mention to Zendaya Coleman for channelling Joan of Arc, a teen girl who was hearing voices (and possibly also hallucinating). Because in the age of #metoo, who doesn’t need to find their inner warrior maiden?
Funnily enough, my favourite depiction of Joan hangs at the Metropolitan in New York, it actually portrays her as a real person, getting on with her life as a country girl when her visions hit – you can see her discarded spinning wheel on the ground there as she gets overwhelmed by her visions. Carol at watchmepaint goes into the fascinating detail about the painter, the painting and his subject.
At this year’s Met Gala, most of what I saw was opulence as distraction from all the Things we as a Society are going through. That’s why I have to give props to Solange Knowles for bring that weirdly fabulous sci-fi creation that at first glance calls out to space travel, androids, and the like. Yet it’s not as farfetched as one might think…
This dress, by Dutch designer Iris van Herpen is actually called ‘Cathedral Dress’ and was constructed using 3-D printing techniques. It’s from a van Herpen Collection called Hybrid Holism and was inspired by:
“…Hylozoism, the ancient belief that all matter is in some sense alive.… van Herpen is intrigued by … possibilities for a future of fashion that might take on quite unimaginable shapes.
Fashion that might be partly alive and growing, and, therefore, existing partly independent from us, which in turn allows for a new treatment by humans: instead of discarding the fashion after use, we cherish, value, and maintain it in its abilities to change constantly.”
This look is therefore talking about the future of imagination and fashion. I sure hope we get there…