„we engage in the creative process to become more of whom we’d like to be and, just as important, to discover more of whom we might become.“
– Korn, Peter. „Why We Make Things and Why it Matters.“ Random House.
– Korn, Peter. „Why We Make Things and Why it Matters.“ Random House.
When it’s as warm as it has been last week in Germany, it’s great museum weather. Well, so I thought. A few days ago, I took part in a Museum night (buy a ticket and have entry to museums, events, tours between 6pm and midnight). To celebrate 20 years of Museum nights, many museums dug deep into their archives to come up with something related to 20. The Natural History Museum for instance had an exhibit about hippos in the Rhine back when the Rhine was 20 degrees Celsius (68F). Very fitting considering the temperatures today.
We went to the City Gallery, the Baden State Museum and the museum of Applied Art in Karlsruhe. While textile museums can be few and far between, Applied Art museums (Angewandte Kunst) will often have a few textile pieces, and are generally great at putting art and design into context.
We caught a tour called ‘The 20 years that influenced Art History- 1890-1910’ and saw this lovely tapestry by Edward Burne-Jones.
Hot weather crafting posts from my archives:
Autumn Wardrobe planning
As we haven’t gone on holiday yet, it’s hard to wrap my head around autumn knits just yet.
Stay hydrated dear readers!
In honour of France’s triumph, winning their second star at the FIFA World Cup Football championship, I thought I’d take a look at knitting in my neighbour country! But then the Trevor Noah thing happened. And then the Mesut Özil thing happened here in Germany. So I went from “Yay!” to “Yeah!” to “Whaaaat?!”
Apparently, Trevor made a joke on his New York based comedy show, The Daily Show, about the win being a win for Africa. The French Ambassador took offence, and wrote him a strict letter, which Noah read on-air and replied to.
At that point, I wasn’t sure I would post here, even though I believe Trevor hit the nail on the head about immigration and the fundamental question each immigrant faces: assimilation vs integration, and what that really means in practical terms. It is not only France, that feels more comfortable if an immigrant sloughs off his/her previous identity to adopt that of the new homeland. Germany does too. And now, that balloon has popped: Mesut Özil.
Of course, I could be cynical and point out the famous Summer news hole (Sommerloch – slow news cycle), where there’s not much going on, so strange topics fill the news in late July-early August, but it’s an important point.
While most folks think Özil shouldn’t have been hanging out with Turkish Prime Minister Erdogan, his scapegoating for Germany’s poor World Cup showing was uncalled for. And he’s thrown in the towel. He feels discriminated against, as is clear from his Twitter statement.
Which brings me back to a film about the same topic: life for immigrants in Europe, “The African Doctor”/ Bienvenue à Marly-Gomont. The film is about a medical student from Zaïre, who tries to open up a practice in northern France in the 1970s and the difficulties of integration he and his family faces. The happy ending is ONLY secured because the villagers don’t want to lose their most talented footballer.
The film is based on a true experiences of French-Congolese musician Kamini. It’s billed as a comedy and was fairly popular in both France and Germany. Although the film probably won’t be released in UK or US cinemas (please correct me if I’m wrong) due to racial sensibilities, it has been reviewed positively.
What struck me, was what the family, especially the wife (played by Aïssa Maïga) had to give up to follow her husband to France. This of course was glossed over and left uncommented on in the movie: she left her family behind, her comfortable upper middle class existence in Zaïre only to be confronted with people’s backward stereotypes.
On the upside, the 1970s was full of brightly coloured knits and crochets. Emmanuelle Youchnovski did a lovely job capturing the vibrancy of the cosmopolitan world citizens of the 1970s and telling the story of the clash of two worlds through the textiles.
Now, thanks to the Sommerloch, we now have a #Metwo tag and moment, where people with diverse backgrounds can talk about racism and discrimination in Germany. Things won’t change overnight, but it’s a start in the right direction.
Wow! A year of blogging snuck up on me, and slinked by without my noticing. How crazy is that!
just a few birthday themed knits:
This year, it seems I’ve done quite a bit of knitting and thinking about knitting, colour, yarn, and fashion… Oh, I’ve just finished up my twisted stirrup socks in time for autumn. Now, I just have to decide which of my WiPs to finish up next…
My knitting friend and I thought we would pop in to Nadelwelt in Karlsruhe, have a quick look and get home in time for lunch. I don’t know why we thought that would be possible. We’re still young. That’s the only excuse I’m prepared to give.
If you’re ever in the area (next year the show falls on May 3-5, 2019) and find you have a full day to spare, definitely check out Nadelwelt. The trade show is held in the same place that the ARTkarlsruhe is held, and it’s just massive. My eyes have been opened to how the needlecrafts have taken off in Germany (despite you not seeing a lot of people knitting, crocheting or otherwise crafting in public here).
There was a distinct focus on quilting, with a quilted art exhibition right out front. We had a lovely chat with two British textile artists Cas Holmes and Gillian Travis, who apparently travel around to exhibit and sell at textile shows and fairs all around Europe.
Cas Holmes treats paper, thread and fabric like paints, and her work has the ethereal quality of memories half forgotten, floating out of the subconscious.
Gillian Travis, on the other hand, makes vibrant, graphic quilts which reflect her travels and other sources of inspiration, and just whisks the viewer away as if on a magic carpet. She has an amazing eye for colour, and a wicked sense of humour. I had a great time talking to her.
Although we were overwhelmed by the sheer size of the show (from fabrics, buttons, yarns, sewing machines of all types, etc), we did make a lovely find: our nearest LYS shut down late last year, and now we’ve found a new one. The owner happened to be on hand and she and one of her staff gave us a mini-workshop on Tunisian Crochet.
So while I am not quite in the mood to knit at the moment, I’ve been practising my tunisian crochet and staring at my boot socks, hoping that they’ll have the decency to finish themselves up without me. Thankfully I did them two at a time (each on two DPNs) so each only has about an inch of ribbing left.
About a month ago, I went off with friends on a mystery weekend, and ended up in Bonn (friends willing to plan mystery weekends, and go along on mystery weekends are the best sort, in my opinion!). We went a gorgeous bike tour of the city, and eventually ended up at the University of Bonn’s Arithmeum. Museum of the history of calculating.
We had a great guide, who explained how complicated it had been to create a working adding machine, that would carry all the digits. It used to be complicated work.
These days we can whip out our phones and calculate what 15% off on those fabulous knitting needles will mean to our budgets.
As luck would have it, the Arithmeum (attached to the University Math Department) also had an art exhibit from their works inspired by discrete mathematics.
Absolutely gorgeous. Speaks to the knitter in me. Very much intarsia or mosaic-knitting…
I’ve been away for a minute, because spring. In Germany, spring doesn’t just mean Easter and half-term Holidays, it means nature is waking up, and of Course working in the garden. Now I know, the British are known for simply fabulous gardens, but so are many Germans. They love a beautiful garden (of whatever size – from balcony to tea-towel size and bigger), to provide a lovely island of tranquility.
Spring is also the start of the beekeeper year, and I’ve been away for a while, getting my hives sorted. I’m doing a beekeepers course, so I thought I’d drop some bee-themed knits:
While I’ve been away, I’ve been watching fashion historian Amanda Hallay’s The Ultimate Fashion History on Youtube when I’ve been too tired to knit. She goes all the way from Prehistoric fashion to the present day, looking at History, Art, and politics and how fashion responded to the life of the times (Her favourite Quote is “Fashion is not an Island, it’s a Response”).
This is my moodboard for the InitiateKnitDesign Challenge run by Francoise of Aroha Knits every year.
I popped over to Barcelona for a girly Weekend with two girlfriends and it gave me quite an emotional boost in the midwinter. Running on the beachfront Promenade, enjoying the sunshine, having Tapas, Cocktails and laughing just hit the spot.
We booked an audioguide tour to visit the Sagrada Familia Basilica (unless you’re in a travel group that takes care of everything, definitely book online beforehand. Apparently no one just Shows up and expects to get in anywhere anymore). I highly recommend going in the morning/mid-morning, so that you catch the sunlight coming through the Windows.
I was particularly taken with the tree-like columns within the Basilica. It felt like walking through a forest (but of stone), with the light streaming through the various windows in a fairly similar way to how light is filtered down to the forest floor.
I’m not sure yet what the final form will me: cowl, scarf, shawl or shrug, but that’s the start of an idea.
There were about 26 vendors at Wollandia, but it seemed like more.
Even though sock yarn (ie fingering weight) is extremely popular here in Germany, I now get the feeling that the new trend (on top of Hand dyed and naturally dyed yarns) is socks with glitter?
I told Sandra from Farbenpracht, that you just can’t have enough glitter in your life. There is no way I would want to hide that in shoes! She even suggested the lovely Moonrise shawl pattern from Olga Buraya-Kefelian.
I found my Ultraviolet (every time I look at these skeins, I feel it in my Ajna!): The skeins from Filzlinge were by far and away the most Vibrant colours on Show. I realized that the yarns are single handspun, but the colours are so gorgeous, I figured that the Internet would teach me how to make it work: Charles at Knitmuch’s tips for knitting with fuzzy yarn.
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